On this Thanksgiving week, what am I most thankful for this year? Well, that's obvious. Being here in Nashville and getting to be part of the music community as a non-performer writer/publicist/columnist/blogger/podcaster. It is truly a joy to go to places like Doak's 3rd Sunday, the Bluebird Cafe and other writer's night events and get to hear and support so many wonderful songwriters of various levels. Some of them have had success, others are just time away from having their big breakthrough song, and others are developing their unique artist presence.
A week or so ago at the Bluebird I heard ACM songwriters of the year Jamey Johnson and Buddy Cannon (for "Give It Away"), along with Dallas Frazier and John Scott Sherrill (with Mickey Raphael of Willie Nelson's band on harmonica). At Doak's this week I was sitting in a room listening to a few talented songwriters -- one later arrival happened to be Alan O'Day, writer and singer of the 70s hit "Undercover Angel" as well as writer of "Rock and Roll Heaven" and "Angie Baby", all of which he kindly did for us. I heard him along with Denny Martin, Paul Scott and Craig Monday days later at the Bluebird. As with so many of the shows I've seen there, it was a great evening of solid and clever songwriting (with songs about kids, zoos and women "sexy by accident")and entertaining humor.
Can't beat this, I tell ya. I love living here.
Tuesday, November 20, 2007
Sunday, November 4, 2007
Bluebird Cafe Double Header 11/2/07
I took in a couple of shows at the Bluebird Cafe Friday for a long, late, wonderful evening. When I plan on going to the second show, I usually like to go to the first as well, since I work a few minutes away from the Bluebird (though on this evening, good old traffic took me half an hour to get there!). No sense going all the way home when I'm that close.
The first show consisted of some fine singer-songwriters: organizer Sonia Lee, who had a lot of friends and family from Rochester and Baltimore on hand to support her; Kim McLean (backed by Devon O'Day on vocals and "potato" percussion), who I last saw there at the JPF showcase; Mary Sue Englund, a Minnesota native who I used to hear from time to time at the Music City Cafe in St. Paul, now doing very well out here as a strong singer-songwriter presence and member of Pam Tillis' band; and Todd Sharp, who has worked as a guitarist with Rod Stewart, Hall and Oates and co-writer of the Christine McVie hit "I've Got Somebody" (which Sonia did the vocals on this evening). The three female songwriters knew each other and worked together (Kim also produced Sonia's CD and Sonia does all of their hairstyles!). Todd blended right in, bringing a warm camraderie and lots of laughs as well as great music. So many of their songs were based on personal experience (theirs or people they knew), creating a sense of intimacy between them and the audience. One common thread running through the set by these writers was letting go and letting God bring the inspiration through for their songwriting.
The second show was billed as "An Evening of Gospel Music, Old Hymns and Spirituals", featuring Buddy Greene (who needs no introduction to readers of this blog), singer-songwriter Ashley Cleveland, who has recorded often with Buddy and countless other artists, and the amazing family group Odessa Settles and the Connection (also featuring Todd Suttles, who appears on Buddy's "Happy Man" CD, and guitarist Bobby Hamrick). The styles ranged from African spirituals, powerful uptempo treatments of traditional hymns from Ashley and acoustic/harmonica renditions from Buddy. The artists backed each other on their songs, making for some wonderful collaborations. The audience loved it all and as I often do, I imagine what it's like to have these kinds of musical gifts.
Like I said, late but great evening of music. I love this town.
The first show consisted of some fine singer-songwriters: organizer Sonia Lee, who had a lot of friends and family from Rochester and Baltimore on hand to support her; Kim McLean (backed by Devon O'Day on vocals and "potato" percussion), who I last saw there at the JPF showcase; Mary Sue Englund, a Minnesota native who I used to hear from time to time at the Music City Cafe in St. Paul, now doing very well out here as a strong singer-songwriter presence and member of Pam Tillis' band; and Todd Sharp, who has worked as a guitarist with Rod Stewart, Hall and Oates and co-writer of the Christine McVie hit "I've Got Somebody" (which Sonia did the vocals on this evening). The three female songwriters knew each other and worked together (Kim also produced Sonia's CD and Sonia does all of their hairstyles!). Todd blended right in, bringing a warm camraderie and lots of laughs as well as great music. So many of their songs were based on personal experience (theirs or people they knew), creating a sense of intimacy between them and the audience. One common thread running through the set by these writers was letting go and letting God bring the inspiration through for their songwriting.
The second show was billed as "An Evening of Gospel Music, Old Hymns and Spirituals", featuring Buddy Greene (who needs no introduction to readers of this blog), singer-songwriter Ashley Cleveland, who has recorded often with Buddy and countless other artists, and the amazing family group Odessa Settles and the Connection (also featuring Todd Suttles, who appears on Buddy's "Happy Man" CD, and guitarist Bobby Hamrick). The styles ranged from African spirituals, powerful uptempo treatments of traditional hymns from Ashley and acoustic/harmonica renditions from Buddy. The artists backed each other on their songs, making for some wonderful collaborations. The audience loved it all and as I often do, I imagine what it's like to have these kinds of musical gifts.
Like I said, late but great evening of music. I love this town.
Tuesday, October 23, 2007
3rd Sunday Notes
I missed the monthly get-together at Doak Turner's last month because I was in Louisville KY, so I was glad to be back this month. What's getting really cool for me now is that the more often I go, the more faces I recognize (and the more hugs I get). I've only been in town seven months and I must say, at this and other songwriter events I've gone to, I've not felt out of place and have always been made to feel welcome.
I got up to speed with some of those songwriters I've come to know from here and came away with a few tidbits:
- Steve Craig is excited to be working lately with three very talented artists: Elizabeth Runde, Nikki Cole and Stephanie Layne. They are doing some songs written by Steve. All three of these ladies have MySpace pages which you can check out.
- The awesomely talented Brian James has been playing gigs in other states but hopes to do some more in the Nashville area. We were especially impressed with a song he wrote about being a dad (even though Brian himself doesn’t have any kids!).
I met a couple of new faces and voices in person that I first met through MySpace and by word of mouth by my prolific singer/songwriter buddy Brandon Maddox. The Redheads, Britta and Brooke, now residing in Georgia, are reminding folks of a young version of the Judds.
Some of the others whose names I grabbed while dropping in on some rounds: Kenny Hayes, Scott Sanford, Andy Collins, Warren Evans (with an interesting song about being an organ donor), John DiBattista from Canada, Lois Akin and Jo Rankin. Some others I reconnected with from other occasions were Deb Ziems, Rob Wolf and storyteller songwriter Dave Saunders, who had a request from the Redheads for him to perform his song "Preacher Bill".
Just a reminder about why I love doing this particular blog. We have a lot of great talent in this town that needs to be heard. My job is to be a beacon of light to them and hope that you will be curious enough to note some of the names here and look for their websites, MySpace pages or find them in the weekly listings of songwriter events so you will check out their music. These singer/songwriters frequently perform for one another. I'm neither a singer nor a songwriter...I'm sort of the "end result", the listener. I think it’s important to give these artists encouragement at that level as well and let them know I'd be digging their songs if I heard them on the radio. For me to do all this here in Nashville is a great privilege.
And remember—if you're playing at Doak's or a writer's night and you see me there with pen and paper, be sure to tell me who you are!
____
Update: Lyrix will be closing its doors on October 31 due to the venue having lost its lease. I only got to Lyrix a couple of times, both of which I've written about here (see the JPF showcase and Rick Stewart writers night posts). It was a very nice venue with a welcoming atmosphere and great food. Same as I've often experienced with many Twin Cities coffeehouses and venues, it tends to be the good ones that go. My best to Tanya and the staff of Lyrix.
I got up to speed with some of those songwriters I've come to know from here and came away with a few tidbits:
- Steve Craig is excited to be working lately with three very talented artists: Elizabeth Runde, Nikki Cole and Stephanie Layne. They are doing some songs written by Steve. All three of these ladies have MySpace pages which you can check out.
- The awesomely talented Brian James has been playing gigs in other states but hopes to do some more in the Nashville area. We were especially impressed with a song he wrote about being a dad (even though Brian himself doesn’t have any kids!).
I met a couple of new faces and voices in person that I first met through MySpace and by word of mouth by my prolific singer/songwriter buddy Brandon Maddox. The Redheads, Britta and Brooke, now residing in Georgia, are reminding folks of a young version of the Judds.
Some of the others whose names I grabbed while dropping in on some rounds: Kenny Hayes, Scott Sanford, Andy Collins, Warren Evans (with an interesting song about being an organ donor), John DiBattista from Canada, Lois Akin and Jo Rankin. Some others I reconnected with from other occasions were Deb Ziems, Rob Wolf and storyteller songwriter Dave Saunders, who had a request from the Redheads for him to perform his song "Preacher Bill".
Just a reminder about why I love doing this particular blog. We have a lot of great talent in this town that needs to be heard. My job is to be a beacon of light to them and hope that you will be curious enough to note some of the names here and look for their websites, MySpace pages or find them in the weekly listings of songwriter events so you will check out their music. These singer/songwriters frequently perform for one another. I'm neither a singer nor a songwriter...I'm sort of the "end result", the listener. I think it’s important to give these artists encouragement at that level as well and let them know I'd be digging their songs if I heard them on the radio. For me to do all this here in Nashville is a great privilege.
And remember—if you're playing at Doak's or a writer's night and you see me there with pen and paper, be sure to tell me who you are!
____
Update: Lyrix will be closing its doors on October 31 due to the venue having lost its lease. I only got to Lyrix a couple of times, both of which I've written about here (see the JPF showcase and Rick Stewart writers night posts). It was a very nice venue with a welcoming atmosphere and great food. Same as I've often experienced with many Twin Cities coffeehouses and venues, it tends to be the good ones that go. My best to Tanya and the staff of Lyrix.
Sunday, October 14, 2007
Writers Night, Christ Lutheran Church, 10/13/07
Back in my post about the monthly Music Row Mixer, I mentioned meeting a couple of people with some Minnesota ties. One of them was Randi Perkins, originally from North Dakota. We got to talking and I learned he was related to the talented Kat Perkins, now of the band Scarlet Haze.
I stopped by a writer's night which Randi hosted out at Christ Lutheran Church in Nashville. This event, a periodic fundraiser for the church's choir, started in 2005 and has featured new as well as established singer/songwriters. It was one of those intimate gatherings I enjoy so much, because there's a certain warmth which lends itself to a strong connection between artist and audience. Randi started things off with one of his songs (accompanying himself on piano for the first time publicly, he said—great job! ) "In Your Eyes". He's a poetic writer with a gentle Midwest manner and nice tenor range.
Mark Armstrong, originally from Philadelphia, is a relative newcomer to Nashville who brought a Delta blues feel and a reggae tune into the mix. I'm a slide guitar and dobro fan, so I appreciated his great string work he brought to his set, and he's a strong vocalist.
Randi first met Mitch Malloy, a Christian music artist, years ago when he judged a talent contest that Mitch won in the male vocalist category. He remembered Mitch for years afterward and it was easy for me to see why. He's a powerful singer whose songs convey a sincere message. Mitch has enjoyed success on the music charts and currently has a track, "Fly", featured on Sirius Satellite Radio channel 66. You can hear this and some of the other songs he did on his MySpace page.
Donna Ulisse, accompanied by her husband Mark Stanley on guitar and vocal, is a bluegrass artist (saying she married into the genre—Mark is Ralph Stanley's cousin) with a beautiful, clear voice. Donna's CD "When I Look Back" is getting a great reception internationally and on radio.
I was originally supposed to be somewhere else this evening, but things changed and I'd say they did for the better. I'm glad I had a chance to hear this group of artists…and thanks, Randi, for all of your hospitality. The next CLC writer's night may happen around the first of the year. It's a sweet event worth supporting.
I stopped by a writer's night which Randi hosted out at Christ Lutheran Church in Nashville. This event, a periodic fundraiser for the church's choir, started in 2005 and has featured new as well as established singer/songwriters. It was one of those intimate gatherings I enjoy so much, because there's a certain warmth which lends itself to a strong connection between artist and audience. Randi started things off with one of his songs (accompanying himself on piano for the first time publicly, he said—great job! ) "In Your Eyes". He's a poetic writer with a gentle Midwest manner and nice tenor range.
Mark Armstrong, originally from Philadelphia, is a relative newcomer to Nashville who brought a Delta blues feel and a reggae tune into the mix. I'm a slide guitar and dobro fan, so I appreciated his great string work he brought to his set, and he's a strong vocalist.
Randi first met Mitch Malloy, a Christian music artist, years ago when he judged a talent contest that Mitch won in the male vocalist category. He remembered Mitch for years afterward and it was easy for me to see why. He's a powerful singer whose songs convey a sincere message. Mitch has enjoyed success on the music charts and currently has a track, "Fly", featured on Sirius Satellite Radio channel 66. You can hear this and some of the other songs he did on his MySpace page.
Donna Ulisse, accompanied by her husband Mark Stanley on guitar and vocal, is a bluegrass artist (saying she married into the genre—Mark is Ralph Stanley's cousin) with a beautiful, clear voice. Donna's CD "When I Look Back" is getting a great reception internationally and on radio.
I was originally supposed to be somewhere else this evening, but things changed and I'd say they did for the better. I'm glad I had a chance to hear this group of artists…and thanks, Randi, for all of your hospitality. The next CLC writer's night may happen around the first of the year. It's a sweet event worth supporting.
Saturday, October 6, 2007
Sparkle and Twang and Bluegrass
One of the great things about living in Nashville is a lot of good stuff happens downtown that you can take advantage of and participate in. Today I finally got a chance to get over to see Marty Stuart's "Sparkle and Twang: Marty Stuart's American Musical Odyssey" exhibit at the Tennessee State Museum. It's an amazing collection of country music memorabilia that Marty has been compiling for many years. There are a lot of items tracing the development of Marty's career. The most fascinating of those is an essay he wrote in the 6th grade talking about how he wanted to be a famous musician and laid out exactly how he wanted to do it. Don't you know just about everything in there came to pass for him. Another interesting one is the display of the dress Connie Smith wore the day Marty went to see her perform when he was a youngster and declared he was going to marry her.
But Marty, you've got to make that video feature in the exhibit available for folks to buy on DVD. It's a compelling look at Marty's career which features lots of great archival footage, interviews, a feature on Johnny Cash including video from one of his last recording sessions, and a couple of songs. I about spent half my time watching that as well as looking over the displays.
Later, I headed down to the IBMA Bluegrass Fan Fest (thanks, Buddy, for the ticket!). I heard some great music, got a free lunch and checked out the exhibits. Most of the booths were instrument vendors or otherwise geared toward musicians. I walked around and heard so many amazing young kids trying out the instruments.
When I was in grade school, I was in a music program for a short time. I tried violin and flute, but didn't stay long with either. Now I've kicked myself for that from time to time. If I had known of the existence of bluegrass back then, I'd have stayed with the violin and of course, called it a fiddle. I talked to a fellow who was representing a great program called Bluegrass Apprentice Program, which is a curriculum for learning bluegrass in a school music class, including banjo, guitar, mandolin, fiddle and bass. He also showed me a G chord on the mandolin. I am a mandolin fan and still entertain thoughts of taking lessons one day. Getting involved in a program like that would give me a good reason for wanting to be a kid again.
Did I mention that I love this town?
But Marty, you've got to make that video feature in the exhibit available for folks to buy on DVD. It's a compelling look at Marty's career which features lots of great archival footage, interviews, a feature on Johnny Cash including video from one of his last recording sessions, and a couple of songs. I about spent half my time watching that as well as looking over the displays.
Later, I headed down to the IBMA Bluegrass Fan Fest (thanks, Buddy, for the ticket!). I heard some great music, got a free lunch and checked out the exhibits. Most of the booths were instrument vendors or otherwise geared toward musicians. I walked around and heard so many amazing young kids trying out the instruments.
When I was in grade school, I was in a music program for a short time. I tried violin and flute, but didn't stay long with either. Now I've kicked myself for that from time to time. If I had known of the existence of bluegrass back then, I'd have stayed with the violin and of course, called it a fiddle. I talked to a fellow who was representing a great program called Bluegrass Apprentice Program, which is a curriculum for learning bluegrass in a school music class, including banjo, guitar, mandolin, fiddle and bass. He also showed me a G chord on the mandolin. I am a mandolin fan and still entertain thoughts of taking lessons one day. Getting involved in a program like that would give me a good reason for wanting to be a kid again.
Did I mention that I love this town?
Saturday, September 29, 2007
Music Row Mixer
This month I attended another monthly music industry get-together. The Music Row Mixer takes place on the last Thursday of the month from 4-6 p.m. at The Longshot Sports Bar, located in the same Music Row strip as Tin Roof and other places. Like Doak Turner's 3rd Sunday gathering, you'll see many singer-songwriters and perhaps a few music business people...except at this event, no one's playing. It's a networking social often leading to co-writes among those attending. Very tasty wraps, wings, pizza, and free drinks are courtesy of SunTrust Bank. If you're on the shy side, no worries--people are very friendly, just have a seat and you'll find someone to chat and network with in no time. For me, it was another "small world" event--I met someone related to a musician I know in Minnesota and I also met the NSAI coordinator in Minneapolis.
The first mixer was in February. Some of the people attending the event included Gary Hannan (Tequila Makes Her Clothes Fall Off – Joe Nichols), Tony Stampley (writer of several Hank Jr. cuts and son of music legend Joe Stampley), and Rich Furtner of DISCMAKERS. Some came from Charlotte, NC, Green Bay, WI and Australia, along with many other locals of the Nashville music community. Host Jeff Jones from SunTrust Bank and Derek Sanders of SunTrust also attended the event.
(Thanks, Doak, for the additional background information!)
The first mixer was in February. Some of the people attending the event included Gary Hannan (Tequila Makes Her Clothes Fall Off – Joe Nichols), Tony Stampley (writer of several Hank Jr. cuts and son of music legend Joe Stampley), and Rich Furtner of DISCMAKERS. Some came from Charlotte, NC, Green Bay, WI and Australia, along with many other locals of the Nashville music community. Host Jeff Jones from SunTrust Bank and Derek Sanders of SunTrust also attended the event.
(Thanks, Doak, for the additional background information!)
Monday, September 17, 2007
NQC
Technically not a Nashville event, but one that does bring together many artists based here: I had the opportunity to attend the National Quartet Convention in Louisville KY for three days. For those unfamiliar, it's the big annual event that brings together a multitude of Southern Gospel music artists, music industry folks, and fans. As it has changed with the times, it's not just for quartets. You'll find soloists, trios and mixed groups among the artists.
I was there to work a booth so I didn't get the chance to hear as much music as I normally would have. However, these three days afforded me a great learning opportunity as to how things happen in the music world. As I noted in my most recent "Ponderings" post about my "birthday concert" featuring Buddy Greene and Gordon Mote, most fans who enjoy a music event on the surface level probably have not much idea of just what goes into the making of an event. Indeed, the same applies to the product tables which are an integral part of NQC. I learned that it's not as simple as unpacking CDs and putting them out on a table. Behind the scenes there are decisions about what to bring and how much, how to best display items, loading up and tearing down efficiently and how to hang in there when you're on your feet on a concrete floor for 8 or so hours.
For a play by play of NQC, I refer you to search the many Southern Gospel blogs and websites out there. But here are a few personal highlights of mine:
- Finally meeting some of the artists and industry people in person that I got acquainted with on MySpace or other cyberspace means.
- Mark Lowry and LordSong wowing the crowd on Friday evening and getting some glowing reviews.
- "Pianorama" on Saturday afternoon (the only music event I was able to attend in full). My favorites: Roy Webb, formerly of Signature Sound, off to a great start in launching a solo career and earning a standing ovation. I finally got to hear Kim Collingsworth, and fully got why there's such a big buzz for her piano playing. She was incredible.
Yeah, I'm thinking about going back next year.
I was there to work a booth so I didn't get the chance to hear as much music as I normally would have. However, these three days afforded me a great learning opportunity as to how things happen in the music world. As I noted in my most recent "Ponderings" post about my "birthday concert" featuring Buddy Greene and Gordon Mote, most fans who enjoy a music event on the surface level probably have not much idea of just what goes into the making of an event. Indeed, the same applies to the product tables which are an integral part of NQC. I learned that it's not as simple as unpacking CDs and putting them out on a table. Behind the scenes there are decisions about what to bring and how much, how to best display items, loading up and tearing down efficiently and how to hang in there when you're on your feet on a concrete floor for 8 or so hours.
For a play by play of NQC, I refer you to search the many Southern Gospel blogs and websites out there. But here are a few personal highlights of mine:
- Finally meeting some of the artists and industry people in person that I got acquainted with on MySpace or other cyberspace means.
- Mark Lowry and LordSong wowing the crowd on Friday evening and getting some glowing reviews.
- "Pianorama" on Saturday afternoon (the only music event I was able to attend in full). My favorites: Roy Webb, formerly of Signature Sound, off to a great start in launching a solo career and earning a standing ovation. I finally got to hear Kim Collingsworth, and fully got why there's such a big buzz for her piano playing. She was incredible.
Yeah, I'm thinking about going back next year.
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