After several years of attending Gaither Homecoming concerts in the round with a large lineup of artists, I was interested how the new setup of end stage and decreased artist roster would fare (I also wondered how I, being "vertically challenged", would see from the middle of the 5th row with the new setup. But there were empty seats here and there, and by the time the second half came along, those who don't have the duration of some of us die-hards left). Indeed at first, I was struck by the smaller number of artists on stage in the opening, and did miss a few of the regulars I'd been used to seeing (Russ Taff, Jessy Dixon, the Isaacs). But in the end, the Gaithers showed they still had the ability to engage the audience like friends or family musicially and with good natured humor and bind us all in heart and spirit.
Some of my favorite highlights:
- Rory Rigdon and Kevin Williams remain two of the funniest guys out there when they gang up on Mr. Gaither (Rory's expressions are priceless), with a few blurbs from Gordon Mote. (This year's routine, rather timely, is "Bill For President"). It also helps that Bill is graciously willing to go along with it all.
- Ernie Haase and Signature Sound are charmingly haphazard in choreography at times (they could use a little Motown step instruction), but I enjoy it. Boogie down, guys.
- I thought having the onstage artists singing songs with some clips of some of those who have passed cut in (the Goodmans, George Younce, Jake Hess) was interesting and effective.
- Nice to see Eva Mae LeFevre (looking lovely at age 90), the Christ Church Choir, and Michael English who joined the convention singing portion in the second half.
By the way, the show was as long as ever--started at 7, was over at 11:30. But that's all good.
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